Predor rešitve niso zgolj pretresljive zgodbe posameznikov, ki so se znašli sredi vojne vihre v okupiranem Sarajevu, temveč je omaž vsemu temu, kar se skriva v nas.
Zgodbe o predoru nam ponujajo tudi lastno možnost rešitve zato, ker nam je v resnici mar in se ne požvižgamo na vse. Zato so stvari zle, grde in neprijetne. Ljudje smo grobnica zakopanih občutkov, ker življenje ne zdrsi vedno mimo hitro kakor v sanjah, temveč nas nenehno reže in žge, trga iz nas takšne plamene, za katere nikoli prej nismo vedeli, da so v nas. Biča nas s svojimi ledenimi valovi in nas nosi sem ter tja kakor barko v neurju. V življenju vsakega človeka je trenutek, ki ostane, naj mine še toliko časa. V luči tega trenutka izvršujemo svoja dejanja, dobra ali slaba, v tej luči bijemo boj svojega življenja. Trudimo se, da spomini, travme ne bi splavali na površje, dokler se ne privije k nam goloprsa tiho dremajoča noč. V tistih časih, ko je oseka najnižja, je potrebno razvezati svoja usta in uiti stran od svojih težkih sider. Čeprav nas strahovi vztrajno in neizprosno zasledujejo, je treba pokazati kot ranjen pes svoje zobe, čeprav je bil ravno tepen. Spomin ni podoben rešetu, ki ne more zadržati tistega, kar je prejel. S pozabljenimi, zakopanimi travmami in strahovi se je potrebno spopasti. Dokler vsega spomina ne bo prekrila trava, ta neostriženi las grobov, in bo nova brst dokazala, da smrti v resnici ni, in kolikor je kdaj bila, je bila predhodnik življenja. Predor rešitve je sinonim za strahove ujetih v nas, vendar je hkrati tudi prispodoba za lepoto, luč, ki posije na koncu tunela.
Dokumentarna radijska igra je bila ustvarjena ob 30. obletnici odprtja Sarajevskega predora (Tunbel B-D) kot opomin in poklon vsem žrtvam vojne. Avtorji dokumentarca so želeli poslušalcu preko pričevanj in zvokov približati travme in grozote vojne. Zvočni narativ ne le da nas popelje skozi čas in prostor, ampak pomaga tudi pri soočanju s travmami, ki jih je povzročila vojna, tako v preteklosti kot danes.
V dokumentarni radijski igri Preodr rešitve so pod režijskim vodstvom Alena Jelena sodelovali: Indira Buljubašić, Ismir Hero, Edis Kolar, Fuad Serdarević, Midhat Karić, Selma Catović Hughes, Belma Ćuzović in Ena Kukić. Uporabljeni so deli besedila iz monodrame Enosmerna vozovnica Nicka Teunissena in kratke zgodbe Preporsta sarjaveska zgodba Indire Buljubašić.
The Tunnel of Salvation does not encompass just the harrowing stories of individuals caught in the turmoil of war in occupied Sarajevo but is a hommáge to the humanity within us.
The tunnel stories illuminate an intimate possibility for salvation because we genuinely care and do not take everything for granted. Events may be grim, ugly, unjust. Us humans are a tomb of buried feelings, since life does not always slip by as in a dream but is constantly cutting and burning, tearing out flames from within that we never knew were inside us. It lashes at us with icy waves and carries us to and fro like a boat in a storm. There is a moment in everyone’s life that remains, no matter how much time has passed. It is in light of this moment that we manifest our actions, good or wicked, in this light that we fight the battle of our lives. We try not to let the memories, traumas float to the surface, until the barren slumbering night silently presses against us. When the tide is at its lowest, it is necessary to untie our mouths and escape from our heavy anchors. Though our terrors pursue us relentlessly, we must bare our teeth like a wounded dog, though it has just been abused. Memory is not like a grate that can hold back what it has received. Repressed, buried traumas and fears must be dealt with. Until all memory is covered by grass, that uncut hair of the grave, and a new bud proves that death does not truly reign, and to the extent that it ever did, it was a precursor to life. The Tunnel of Salvation is synonymous with the fears trapped within us, but it is also a metaphor for beauty, the everlasting light that shines at the end of the tunnel.
The documentary radio play was created on the 30th anniversary of the opening of the Sarajevo Tunnel (Tunnel B-D) as a reminder and tribute to all war victims. Through testimonies and sounds, the authors of the documentary aimed to bring listeners closer to the traumas and horrors of war. The sound narrative not only transports us through time and space but also aids in confronting the traumas caused by the war, both in the past and today.
In the documentary radio play The Tunnel of Salvation, directed by Alen Jelen, the following contributors participated: Indira Buljubašić, Ismir Hero, Edis Kolar, Fuad Serdarević, Midhat Karić, Selma Catović Hughes, Belma Ćuzović, and Ena Kukić. Excerpts from the monodrama *One-Way Ticket* by Nick Teunissen and the short story *A Simple Sarajevo Story* by Indira Buljubašić were used.
RTV Slovenija – Radio Slovenija – Program Ars,
Študentski kulturni center Ljubljana (ŠKUC)
v koprodukciji s Spominskim centrom Kantona Sarajevo – Muzej Tunel spasa, B-air. Projekt je bil sofinanciran s podporo Evropske komisije in Ministrstva za kulturo Republike Slovenije.
@Vse pravice pridržane.
Production:
RTV Slovenia – Radio Slovenia – Program Ars,
Student Cultural Center Ljubljana (ŠKUC)
in co-production with the Sarajevo Canton Memorial Center – Tunnel of Salvation Museum, B-air. The project was co-funded with the support of the European Commission and the Ministry of Culture of the Republic of Slovenia.
@All rights reserved.
Igralci: Mia Čotić, Aleš Kranjec
Oblikovanje zvoka in glasbe: Haris Sahačić
Glavni tonski mojster: Nijaz Kurtalić
Dramaturgija: Matjaž Briški
Režija: Alen Jelen
Cast:
Actors: Mia Čotić, Aleš Kranjec
Sound & music design: Haris Sahačić
Master sound recordist: Nijaz Kurtalić
Dramaturgy: Matjaž Briški
Director: Alen Jelen
Zahvaljujemo se za sodelovanjeMuzeju Tunel D-B Spominskega centra Sarajevo
Dokumentira Radijska igra je nastala v okviru projekta« B-AIR Zvočna umetnost za dojenčke, malčke in ranljive skupine", ki ga je finančno podprl program Evropske unije Ustvarjalna Evropa in Ministrstva za kulturo RS.
